Sunday, July 19, 2009

Review: The Conduit - 5

The Conduit is a first-person shooter that utilizes good controls but is riddled with bland and sometimes dull game play. It features a great control scheme by using the Wii’s motion controller in several fun ways but sometimes back fires when put against intense and fast paced sections. And though the controls may feel good for the most part, the majority of the game seems somewhat slow and plan boring.

The game centers around Mr. Ford as he battles invading alien races who wish to destroy Washington, DC and from there, take over the world. As you begin the game, you will be playing a level that is set closer to the end of the game, sort of a preview of what is to come. This does a good job of opening a lot of loose ends and causing questions to begin stirring. After which, you will find yourself set five days previous to the opening stage. From here the story begins to unfold.

You main tool (besides the game’s weapons) is the ASE, a glowing orb used to uncover secrets, hack computers, and communicate with allies. Using it will cause you to holster your weapon so you must choose wisely when it’s safe to put down your firearm. The best part of this object is there are several different kinds of secrets in each level and scanning with the ASE causes them to unlock. You will be able to find hidden doors, floating discs, hidden messages and etc. It will also act as a sensor and alarm when you come close to invisible enemies or landmines.

Finding all hidden objects in one level will unlock achievements for you. The achievements in The Conduit are a great addition to the game, especially since not many Nintendo titles feature these. Some achievements can be unlocked by simply completing a certain stage, while others will require you to rack up a certain number of kills with each weapon. This causes the game’s replay value to increase substantially as you will want to continue to search for hidden objects and use new weapons as much as possible.

The Conduit’s most unique feature when compared to the average first-person shooter is the Wii specific control scheme. Due to the console’s motion sensing capability, players are able to move their guns around as if they were holding them themselves. This works for the majority of the game but can really backfire when put up against some of The Conduit’s more intense and difficult sections. Though the movement for the gun feels nice, it sometimes feels quite slow, for example: when you need to turn around or look to the side quickly. This can become quite frustrating when having to focus on two different directions in more enemy heavy parts. Overall, the controls feel great when facing only a few enemies positioned directly in front of you, but doesn’t hold up for the harder – and far more important – segments.

There are also some controller waving controls to the game. Shaking the Wii remote quickly will have you perform a melee attack, while shaking the nunchuck will cause your character to throw a grenade forward. The grenade throws are probably the most intuitive as the angle you are looking will alter the flight path and distance completely.

The controls will probably feel the worst when playing the game’s online multiplayer. Though this can be helped by the fact that every player will be faulted by these controls, it still can be a bit of an issue. However, the multiplayer is set up nicely, allowing you to choose to play with only friends, only your region’s players or anyone around the world. This was a good option to allow for less lag and loads times if you choose a closer opponent. There are also many different modes to choose from such as the standard death match and capture the flag type modes. Added to this is a ranking system for each player. Every time you finish an online match, you will be awarded experience due to your team and personal outcome in the game. However, the one downside is that there’s no system in place to separate the high ranking players from the low ones. I found myself playing with some very skilled players on my first try to the online multiplayer; being matched with people closer to my skill level would have been much better.

The graphics also aren’t much to look at in The Conduit. The majority of the levels are quite generic and many of the textures are extremely dull to look at. There are even several areas you can see that had no extra textures, like fire marks or broken walls, at all since they weren’t reachable. Looking out the window and seeing bland and dull streets was quite disappointing. However, the enemies are quite nice to look at and though they don’t differ too much from one another, they are well detailed. This is most noticeable when fighting some of the game’s bigger boss creatures.

Along with some dull environment visuals, the games voice acting is terrible. Almost every line spoken sounds like the actors were very uncomfortable when they were recorded. This not only sets the stage up in a dull manor, but any dialogue that occurs through the mission is just a complete let down.

Overall The Conduit comes across as unfinished but this isn’t to say it isn’t a fun game. Some of its parts will feel great to play through and you will feel quite powerful as your character’s suit gets more upgrades and you find new weapons. The number of weapons in the game is great and with the inclusion or weapon specific achievements you will want to try them all out. And though the controls do feel slow and awkward in places, the game makes up for it by not throwing too many difficult moments towards you. The online multiplayer is a good addition to the game but with no proper format to its matchmaking and rank system, it can become tedious and overwhelming when faced against high level players. The Conduit feels like quite the average game, but in a time where great first-person shooters aren’t hard to come by, it doesn’t hold its own.

Overall: 5/10

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